Life is a disease for which the movies are a cure.
[Quentin Crisp]

Katzova. Bohemian in Vienna.
Cinephile, francophile, canophile
Install Theme

ryanpanos:

Movie Theaters in South India | Stefanie Zoche

(via keyframedaily)

keyframedaily:

A very happy 90th birthday to the great cinematographer Raoul Coutard.

keyframedaily:

A very happy 90th birthday to the great cinematographer Raoul Coutard.

fuckyeahbrutalism:

World of Darkness, Exhibition Building for Nocturnal Animals, Bronx Zoo, New York, 1967-69
(Morris Ketchum Jr. and Associates)

fuckyeahbrutalism:

World of Darkness, Exhibition Building for Nocturnal Animals, Bronx Zoo, New York, 1967-69

(Morris Ketchum Jr. and Associates)

(via wandrlust)

lapitiedangereuse:

"The more I see of men, the more I like dogs" — Clara Bow

lapitiedangereuse:

"The more I see of men, the more I like dogs" 
— Clara Bow

lapitiedangereuse:

It has been widely reported that Colbert at first refused to bare her leg for this scene because it was unladylike. However, when the body double arrived on set she said, “Get her out of here. I’ll do it. That’s not my leg!”

lapitiedangereuse:

It has been widely reported that Colbert at first refused to bare her leg for this scene because it was unladylike. However, when the body double arrived on set she said, “Get her out of here. I’ll do it. That’s not my leg!”

keyframedaily:

Romy Schneider. Paris, 1972.

It’s as if he were still alive.

(Source: suchasadaffair, via jacquesdemys)

I am going to Rome next week. Any recommendations for accomodation ? (B&B max € 100/night)

PS. Also other recommendations are welcome.. movie theaters, film locations, cemeterys, bars  etc.

thedepthofnow:

Photographing Zentralfriedhof, Vienna.

thedepthofnow:

Photographing Zentralfriedhof, Vienna.

(via grabmal)

kino-obscura:

EYES IN FILM: 2014 EDITION

"I am eye. I am a mechanical eye. I, a machine, am showing you a world, the likes of which only I can see." — Dziga Vertov


Left to right, top to bottom:

Man With a Movie Camera
 (Dziga Vertov, 1929)
Un Chien Andalou (Luis Buñuel, 1929)
Meshes of the Afternoon (Maya Deren/Alexander Hammid, 1943)
The Lost Weekend (Billy Wilder, 1945)
Spellbound (Alfred Hitchcock, 1945)
The Spiral Staircase (Robert Siodmak, 1945)
Sunset Boulevard (Billy Wilder, 1950)
Vertigo (Alfred Hitchcock, 1958)
Psycho (Alfred Hitchcock, 1960)
Peeping Tom
 (Michael Powell, 1960)
Goldfinger (Guy Hamilton, 1964)
Woman on the Dunes
 (Hiroshi Teshigahara, 1964)
Alphaville
 (Jean-Luc Godard, 1965)
Repulsion (Roman Polanski, 1965)
The Russians are Coming, The Russians are Coming (Norman Jewison, 1966)
2001: A Space Odyssey (Stanley Kubrick, 1968)
McCabe & Mrs. Miller (Robert Altman, 1971)
The Texas Chainsaw Massacre (Tobe Hooper, 1974)
Deep Red
 (Dario Argento, 1977)
Rubens
 (Roland Verhavert, 1977)
The Spy Who Loved Me (Lewis Gilbert, 1977)
All That Jazz (Bob Fosse, 1979)
Blade Runner
 (Ridley Scott, 1982)
Goodfellas
 (Martin Scorsese, 1990)
Bram Stoker’s Dracula (Francis Ford Coppola, 1992)
Hard Boiled (John Woo, 1992)
Cube (Vincenzo Natali, 1997)
Titanic
 (James Cameron, 1997)
Fear and Loathing in Las Vegas
 (Terry Gilliam, 1998)
Requiem for a Dream
 (Darren Aronofsky, 2000)
Donnie Darko (Richard Kelly, 2001)
Mulholland Drive
 (David Lynch, 2001)
Vanilla Sky
 (Cameron Crowe, 2001)
Gangs of New York
 (Martin Scorsese, 2002)
The Lord of the Rings: The Two Towers
 (Peter Jackson, 2002)
The Magdalene Sisters (Peter Mullan, 2002)
Minority Report (Steven Spielberg, 2002)
The Fountain
 (Darren Aronofsky, 2006)
The Diving Bell and the Butterfly
 (Julian Schnabel, 2007)
Hunger (Steve McQueen, 2008)
Splice
 (Vincenzo Natali, 2009)
Let Me In (Matt Reeves, 2010)
Hugo (Martin Scorsese, 2011)
Looper
 (Rian Johnson, 2012)
Prometheus (Ridley Scott, 2012)

(via salesonfilm)